Labrynth
Lou Harrison, Maelström Percussion Ensemble, Jan Williams
★ 4.45
11 ocen
81 ma
28 chce
Rok
2000
Kraj
Switzerland
Format
CD
Album
Label
hat[now]ART
hat[now]ART 105
Classical Modern
Identyfikatory
Barcode: 7 52156 01052 4
Label Code: LC 6048
Rights Society: SUISA
SPARS Code: DDD
Matrix / Runout: 201959 - CDP
Mastering SID Code: IFPI LA41
Tracklista
Suite
4
4:04
Fugue
5
5:04
Canticle No. 1
6
6:00
Double Music
7
6:25
Song Of Queztecoatl
Fifth Simfony
11
3:10
Bomba
Labrynth No. 3
Notatki wydania
"Suite" composed 1942.
"Fugue", "Double Music" and "Labrynth No. 3" composed 1941.
"Canticle No. 1" and "Song Of Queztecoatl" composed 1940.
Recorded 22-24 May 1997 at Slee Concert Hall, University at Buffalo, New York.
24 Bit
Edition of 3000 CD's
Printed by Lüdin AG
P + C 2000 Hat Hut Records Ltd.
This release has been made possible by generous financial assistance of UBS
Packaging: gatefold cardboard sleeve
Video
Labrynth No. 3 (1941) : Image in the Soil
Double Music (1941)
Labrynth No. 3 (1941) : Seed
Labrynth No. 3 (1941) : Ode
Credits
- Composed By Lou Harrison
- Conductor Jan Williams
- Design Concept [Graphic Concept] fuhrer vienna
- Ensemble Maelström Percussion Ensemble
- Liner Notes [April 2000] Art Lange
- Liner Notes [March 2000] Jan Williams
- Percussion Christopher Swist
- Percussion Craig Bitterman
- Percussion Daniel Acquisto
- Percussion Jeffrey Rassman
- Percussion Michael Pugliese
- Percussion Thomas McCluskey (2)
- Percussion Tiffany Nicely
- Percussion [Maelström Percussion Ensemble] Gary Rutkowski
- Percussion [Maelström Percussion Ensemble] John Bacon Jr.
- Percussion [Maelström Percussion Ensemble] Kirk Brundage
- Percussion [Maelström Percussion Ensemble] Robert Accurso
- Producer [Produced By] Werner X. Uehlinger
- Recorded By [Recording], Mixed By [Mix], Mastered By [CD-master] Peter Pfister
Firmy
- Phonographic Copyright (p) Hat Hut Records Ltd.
- Copyright (c) Hat Hut Records Ltd.
- Recorded At Slee Hall
- Printed By Lüdin AG
- Funded By UBS
Brak dopasowania Spotify dla tego artysty.
Szukaj na Spotify →