Composiciones Electrónicas Para Los Andes (1967-2006)

A1: "Invención" para cinta magnética = "Invention" for magnetic tape Composed in 1967 Recorded at the Columbia-Princeton Electronic Music Center, in New York A2: "Zampoña Sónica" para instrumentos nativos = "Sonic Zampoña" for processed native instruments and magnetic tape Composed in 1968-2006 Recorded on September 1, 2006, at Los Incas Auditorium Of The National Museum, in Lama, as part of the concerts of the interdisciplinary exhibition Urbe & Arte: Imaginaries de Lima en transformación (City and Art: the transformation of Lima's imagination), presented by the Wiesse Foundation The electronic track recorded at the Columbia-Princeton Electronic Music Center in New York, 1968, and revised in 1976 at the McGill Electronic Music Studio in Monteal, Canada B1: "Flor De Sancayo II: Retablo" para piano y cinta magnética = "Flower Of Jancayo II: Altarpiece" for piano and magnetic tape Composed in 1976 This version recorded on April 2, 1992, at the Pollack Hall of McGill; a part of collection of Latin American Electroacoustic Music created by Ricardo Del Farra, which is housed by the Daniel Langlois Foundation for Art, Science and Technology in Montreal, Canada The electronic track recorded at the McGill Electronic Music Studio in Monteal, Canada, 1976, and was premiered same year by alcides lanza B2: "Canto Coral A Túpac Amaru II" para coro, percusión, proyecciones, luces y cinta magnética = "Choral Song For Túpac Amaru II" for choir, percussion, lights and magnetic tape Composed in 1968 Based on the poem by Alejandro Romualdo "Canto Coral A Túpac Amaru, que es la libertad" (Choral Song For Túpac Amaru, who is Freedom) (1958), which was presented as an accompaniment to Valcárcel's piece in the form of visual poems, prepared by Romualdo himself The recording of premier took place in Lima on October 30, 1970, at the Municipal Theater by the National Symphonic Orchestra of Peru; the digitization of the reel tape carried out by Omar Lavalle in Fundación Telefónica's Medialab, 2006 The electronic track recorded at the Columbia-Princeton Electronic Music Center, in New York, 1968 Concept, compilation and liner notes: Luis Alvarado Design: Héctor Delgado Photographs and clippings: Edgar Valcárcel Archive Mastering: Alberto Cendra at Garden Lab Audio Correction and translation: Alonso Almenara Special thanks to Fernando Valcárcel, alcides lanza and Ricardo Dal Farra This project is recipient of the Economic Stimuli for Culture 2018 of Peru's Ministry of Culture Includes 4 page insert with note in English and Spanish, and photos.