A Solo Requiem / Haiku Settings / Filigree Setting / Three Synthesizer Settings

Milton Babbitt, Mel Powell

★ 2.90 10 ocen
110 ma 45 chce
Rok
1981
Kraj
US
Format
Vinyl
LP, Stereo
Label
Nonesuch
N-78006
Classical Contemporary
Identyfikatory
Pressing Plant ID: SP Pressing Plant ID: E A S T Pressing Plant ID: (SP) Rights Society: ASCAP Rights Society: BMI Matrix / Runout: N 78006 A -4 SL-SP + SLM + △ 857 SP 0-1SM1-2
Tracklista
A Solo Requiem
22:13
Haiku Settings
5:46
B2
Filigree Setting For String Quartet
5:53
Three Synthesizer Settings
Notatki wydania
Three Synthesizer Settings realized at CalArts. Runouts etched/stamped. Recorded November, December 1980.
Video

Milton Babbitt, A Solo Requiem Part One Bethany Beardslee, soprano

Milton Babbitt, A Solo Requiem Part Two Bethany Beardslee, soprano

Milton Babbitt, A Solo Requiem Part Three Bethany Beardslee, soprano

Mel Powell: Haiku Settings (1960)

Credits
  • Art Direction Ron Coro
  • Cello Robert Martin (10)
  • Cover, Illustration Mel Powell
  • Engineer Ray Moore
  • Engineer Roger Mayer
  • Engineer Stan Tonkel
  • Ensemble Continuum (4)
  • Ensemble The Sequoia String Quartet
  • Mastered By Terry Dunavan
  • Musical Assistance Susan Herl-Conroy
  • Photography By John Bache
  • Photography By Marvin Newton
  • Piano Cheryl Seltzer
  • Piano Joel Sachs (2)
  • Producer Eric Salzman
  • Producer Mel Powell
  • Producer Milton Babbitt
  • Sleeve Notes Mel Powell
  • Sleeve Notes Milton Babbitt
  • Sleeve Notes V. J. Olney
  • Soprano Vocals Bethany Beardslee
  • Supervised By Keith Holzman
  • Translated By Harry Behn
  • Translated By Peter Beilenson
  • Viola James Dunham
  • Violin Miwako Watanabe
  • Violin Yoko Matsuda
Firmy
  • Manufactured By Elektra/Asylum/Nonesuch Records
  • Record Company Warner Communications Inc.
  • Phonographic Copyright (p) Elektra/Asylum/Nonesuch Records
  • Copyright (c) Elektra/Asylum/Nonesuch Records
  • Pressed By Specialty Records Corporation
  • Mastered At Sheffield Lab Matrix
  • Recorded At Columbia Recording Studios
  • Recorded At Ambassador Auditorium
  • Mastered At Elektra Sound Recorders
  • Engineered At Elektra Sound Recorders

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